October 16 ------ Exactly 100 years ago today, Walt Disney and his brother Roy signed a contract with New York cartoon distributor Margaret Winkler that launched the Disney Brothers Cartoon Studio. That providential meeting would in turn jump-start what we all know now as the entertainment behemoth Walt Disney Co.
As biographer Neal Gabler noted in his book, “Walt Disney: The Triumph of the American Imagination,” the media mogul and animation pioneer didn’t just build a robust and self-sustaining global business empire, he and his team also ended up “reshaping culture” by bundling “television programs, animated features, live-action films, documentaries, theme parks, books, comics, brand merchandising and music under one corporate shingle.”
Disney’s passion for meaningful storytelling, creativity and innovation changed the course of how people consume entertainment, piling up one career-defining milestone on top of another. To mention just a few: There’s 1928’s “Steamboat Willie,” the first-ever animated short with synchronized sound—which turned Mickey Mouse into an overnight sensation. In 1937, Disney released “Snow White and the Seven Dwarfs,” the first feature-length animated movie ever made. Another highlight is its first foray into live-action filmmaking via Byron Haskin’s 1950 adaptation of “Treasure Island.” Five years later, the Disneyland theme park opened its gates to 161,000 visitors in its first week alone. And in 1995, Pixar released the first fully computer-animated feature film, “Toy Story.”
‘Most passionate fans’
But there’s one crucial element that helped move the narrative needle on the aforementioned endeavors: Music. It establishes the rhythm of a scene as much as it helps shape viewers’ emotional reactions to it. This partly explains why many of Disney’s productions continue to resonate well with music-loving Filipinos.
After all, which karaoke-loving Pinoy doesn’t know, among many others, “A Dream is a Wish Your Heart Makes” (from “Cinderella”), “Baby Mine” (“Dumbo”), “Go the Distance” (“Hercules”), “We’re All in This Together” (“High School Musical”), “Part of Your World” (“The Little Mermaid”), “Let It Go” (“Frozen”), “We Don’t Talk About Bruno” (“Encanto”), “A Whole New World” (“Aladdin”), “You’ve Got a Friend in Me” (“Toy Story”), “Reflection” (“Mulan”), “Can You Feel the Love Tonight?” (“The Lion King”) and “You’ll Be in My Heart” (“Tarzan”)? And that isn’t us just paying lip service to that bold pronouncement. “Filipino consumers are among the most passionate Disney fans in Southeast Asia (SEA),” said Vineet Puri, vice president and general manager of The Walt Disney Company SEA, when we asked him in an email interview last week how the company has maintained a long and successful connection with its Filipino fans through music. Explaining further, Vineet disclosed, “Our brand study, conducted in late 2021, revealed that consumers in the Philippines are the most knowledgeable about our brands, with close to 100 percent reporting that they know a lot about Disney, Marvel, ‘Star Wars’ and Pixar—the highest percentage of all Southeast Asian markets. “Recognizing Filipino consumers’ strong affinity for Disney’s storytelling and passion for music, Disney has explored a myriad of musical consumer engagements with local talents to sustain our connection with fans and tell stories that inspire hope and wonder in a locally relevant way.”
Music, a key draw
He isn’t talking about building a connection with just one platform, Vineet pointed out: “As music is a key draw for our Filipino fans, we have worked with local influencers to incorporate music in our social campaigns, effectively creating anticipation for our theatrical releases. “For example, to drive engagement for ‘The Little Mermaid,’ we created a branded TikTok effect that featured ‘Part of Your World’ and worked with content creators to kick-start a TikTok campaign. In just six days, the campaign gathered 10 million impressions and over 167,000 engagements. “Witnessing the sustained demand for ‘The Little Mermaid,’ we also released the sing-along version of the film in select cinemas in the Philippines. “Meanwhile, to drum up excitement for the release of ‘Star Wars: The Force Awakens,’ we collaborated with Globe Philippines to kick-start a fan campaign, rallying the country’s top 25 influencers alongside their followers to participate in a ‘Star Wars’ a cappella video of ‘The Imperial March.’ A video resulting from that collaboration has over 3 million views to date. “Through the launch of Disney+ in the Philippines, we’re also making our musical content more accessible to Filipino audiences than ever before. Be it timeless classics like ‘The Lion King’ and ‘Beauty and the Beast’ from the ’90s or the latest music documentaries like ‘NCT 127: The Lost Boys’ or ‘BTS: Permission to Dance On Stage–LA,’ Filipino families can enjoy an incredible library of musical content anytime, anywhere.”
What is it about Filipino singers that makes them a snug fit for Disney songs? Vineet asserted, “We have worked with a wide range of musical artists in the Philippines not only because of their strong, unique vocal talents, but also in recognition of the unparalleled Filipino pride that consistently drives great success for the musical soundtracks or remakes. “Consumers in the Philippines are amongst the most supportive fans when it comes to their local musical talents—from celebrating Lea Salonga’s Filipino representation as Princess Jasmine in ‘Aladdin,’ to uplifting local remakes of Disney soundtracks like Janella Salvador for ‘How Far I’ll Go’ (‘Moana’), Morissette and Darren Espanto for ‘A Whole New World’ (‘Aladdin’) and KZ Tandingan for ‘Gabay’ (‘Raya and the Last Dragon’).”
Source: inquirer.net
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